The Infernal Grove @ Yes We Cannibal

YES WE CANNIBAL will be hosting a screening + discussion with EMILY AND COOPER AT THE MEAT MEET SALON!

Sunday Jan 22 5:00 eastern /4:00 central
IN PERSON AT 1600 Government Street, Baton Rouge

*Please note: you need a Twitch account to participate in the conversation. You can sign up here for Twitch.

MEAT MEET SALON SERIES runs most Sundays from 4-6pm/central. YWC hosts musicians, philosophers, authors, film makers, performances and artist talks. There is no paywall for any of our events. 

YES WE CANNIBAL is an artist run project space that understands arts praxis as experiments in living. Located at 1600 Government Street, we have a gallery that hosts exhibitions, performances, community feeds and other events. We are also home to a mutual aid community fridge, a food forest, and a cannibal reading room. We rely on your help to remain that way.  Please consider supporting YWC via Patreon.


Yes We Cannibal is an anti-profit institution for experimental art and social practice.

Yes We Cannibal
1600 Government Street, Baton Rouge

The Infernal Grove Project

The Infernal Grove is an unsystematic structural analysis of drug use, addiction and recovery (not necessarily in that order). It is anti-carceral, anti-prohibition and seeks to amplify the voices of radical harm-reductionists and their coalitions. It recognizes the value of the sacred while rejecting all forms of piety. It posits wonder and the land as spaces of enchantment, as not an antidote to but an extension of the space opened up by drugs.

It’s based on the artists’ lived experience of drug use and the consequent interventions of state and medical establishments, which included both involuntary hospitalization and outpatient rehabilitation.  

The film is based on interviews with members of Vancouver’s Drug Liberation Front, a radical harm-reduction group that gives out free, tested crack and fentanyl on the street; with Samona Marsh and Hugh Lampkin of VANDU, the first drug-users union in North America; with video art  pioneers Paul Wong and Joe Gibbons; with a white-rapper-turned-cannabis-entrepreneur from Oregon and a young Black weed dealer in rust-belt New York; with a “sober influencer” from Nova Scotia and the brother of a for-profit rehab chain; with drag artist Mikiki about his (entirely positive) experiences in the chemsex scene.  The interviews are woven together with hypnotic time lapse video of the natural world.

The visual material has been collected over several years through a process both painstaking and wobbly.  Much of it is timelapse and all of it is made to draw the viewer into the inside of beauty—to actually be in beauty for a while—because inside beauty there is a room, and in the room is enchantment or wonder.    

Related Resources

Speakers in the study group are invites to provide any additional resources they would like to make available for the Study Group attendees.

Liz Roberts provides this article:

The War on Drugs That Wasn’t: Wasted Whiteness, “Dirty Doctors,” and Race in Media Coverage of Prescription Opioid Misuse

Julie Netherland, PhD, Deputy State Director and Helena B. Hansen, MD PhD, Assistant Professor of Psychiatry and Anthropology

Dani Restack provides two of her videos:

Drawings for Quill
pass : QUILL

For Vincent
1 min

Dani ReStack provided 3 texts from ‘Glad Day: Daily Affirmations for Gay, Lesbian, Bisexual, and Transgender People’ by Joan Larkin

You have always been drunk.
That’s all there is to it—it’s the only way.

So as not to feel the horrible burden of time that breaks your back and bends you to the earth, you have to be continually drunk.

But on what? Wine, poetry or virtue, as you wish. But be drunk.

excerpt from Charles Baudelaire’s poem Be Drunk.